Here are snaps I have taken of the inspiration imagery, sketches, construction and final garments comprising in a myriad of contrasting materials. Silks are printed in repeat patterns morphed from six-pointed stars and mixed scale kaffiyeh woven check. This 2D emblem of fishing net becomes 3D with panels of net and a bodice sewn into the star shape from individual lengths of twine. Talisman swing from seams with silver Hamsa hands hanging like sequins in conjunction with the glass evil eyes it is believed to defend. This blue is carried thru from a breastplate embellished with eye beads to another, pieced together from broken colour glazed ceramics. Further religious motifs incorporated result in a necklace to cover the décolletage constructed from two upended shofar ram horns (used for prayer at Synagogue). Underneath the detailed show-pieces are signature tailored separates and skin tight stretch body stockings which become almost animal print camouflage in composition. My favourite look of all is super sexy swimwear shown in a white and black version like ying and yang, hand in hand down the catwalk. Which brings me to the show...........
In this film of the runway, you will see from the bird's eyes perspective camera angle that the floor was taped out with the lines of the star for the girls to follow. This is just a hint at a much larger plan in the pipeline, culminating in an exhibition at Beit Ha’ir museum in Tel Aviv the end of this month. This second stage extends the collection, incorporating photography, film, live music and performance from various artists invited to take part. Curating the show, threeASFOUR have brought together practitioners from New York, Israel and Palestine including Yoko Ono, Jessica Mitrani, Bothina Millhem and Shari Diamond. To keep up to date with the project and find out all the latest developments follow either their Tumblr, Facebook or Twitter.
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