Tuesday 9 October 2012

Of Handbags and Hope

Of Handbags and Hope:
Courtesy of Sarah's Bag and Natalie Naccache
Lebanese women prisoners embroider handbags that jumpstart new lives
Despite Lebanon’s decades of internal strife and external conflict, its inhabitants remain upbeat, possessing an inbuilt love of life that few countries can match. Fashion designers and women prisoners here are no exceptions. While seemingly on opposite ends of the social spectrum, both now enjoy a wonderful symbiotic relationship through Sarah’s Bag.
Beirut-born Sarah Beydoun is the creator of Sarah’s Bag, a successful global fashion and accessories house adept at empowering underprivileged female prisoners. While Sarah was at university writing a thesis on vulnerable women, she worked with a non-governmental organization that supports vocational training in Lebanon's jails. What started out as a rehabilitation exercise for these women blossomed into a thriving international designer label coveted by the likes of actress Catherine Deneuve and Queen Rania of Jordan.

Sarah’s Bag now has boutiques in the Middle East, Africa and in the United States. To learn more, visit www.sarahsbag.com Cheryl Robertson is a journalist based in Dubai. www.simbacom.com/cheryl




Cool Hunting Rough Cut: Drawing Machine

Cool Hunting Rough Cut: Drawing Machine: Old school drawing machine creates analog art


Cool Hunting Rough Cut: Drawing Machine


During a recent visit to Maison&Objet 2012 in Paris we came across a neat and simple toy from the London based company All Lovely Stuff. Their super analog drawing machine uses a felt pen and simple tools that are assembled with a rubberband and can be configured to draw...

Continue Reading...

Beads Melted Together to Form Clothing by Artist Sabine Ducasse

Beads Melted Together to Form Clothing by Artist Sabine Ducasse:
Beads Melted Together to Form Clothing by Artist Sabine Ducasse
Shanghai-based artist Sabine Ducasse takes fashion to a new level with clothing and accessory designs using Perler beads melted together to form a bond. Called Melting Pot, the collection looks like something Lady Gaga would wear in a video game.

Beads Melted Together to Form Clothing by Artist Sabine Ducasse



Beads Melted Together to Form Clothing by Artist Sabine Ducasse

Photographer: Matthias Hossann
Model: Ding Rouyin
[via PSFK]

Share This: Twitter | Facebook | Discover more great design by following Design Milk on Twitter and Facebook.

© 2012 Design Milk | Posted by Jaime Derringer in Style + Fashion | Permalink | No comments

PRADA 2013 S/S COLLECTION RUNWAY WITH VIDEO (WOMAN)

PRADA 2013 S/S COLLECTION RUNWAY WITH VIDEO (WOMAN):












eMbroidery – Mark Newport

eMbroidery – Mark Newport:

Welcome to eMbroidery, a series of interviews with male embroiderers. This month, Mark Newport.
Mark Newport - Batman 712
Name:  Mark Newport
Location:  Keego Harbor, MI, United States (near Detroit, MI).

What does it mean to you? I use embroidery as a reference to traditional gender roles where many people think of embroidery and other textile work as something women do. So when I use it on a comic book image of a superhero it makes for a contradiction and raises questions about why we believe certain things are masculine or feminine. I also use it because embroidery like many textile processes is repetitive and time consuming work that allows me to think about what I am doing. So it helps me develop new work.



How do people respond to you as a male embroiderer? People generally comment more on how I make the work – sewing on paper than the actual process. With my knit work I get more reaction because I also knit when I travel, so people ask questions about it that suggest they are surprised to see a man knit.
Who inspires you? Other artists: Anne Wilson, Jane Lackey, Joan Livingstone, Louise Bourgeois, Tim Hawkinson, Outsider and Folk Art.
How or where did you learn you learn how to stitch or sew?  I learned some sewing and needlework from my Grandmother when I was a child. Some I learned in art school at the Kansas City Art Institute and most in graduate school at the School of the Art Institute of Chicago.
Mark Newport - Batman 619


Mark Newport - Spiderman 206 mask
Do formal concerns, such as perspective and art history, interest you? Formal concerns are somewhat important to me because the visual effect and presence of a piece helps to engage the viewer and get them to spend time with my work. Art history is important because it provides reference points for my work for other people to understand it.
What do your choice of images mean to you?  To me the combination of the embroidery and knitting with the superhero imagery raises questions about how define masculinity and the idea of protection.
Do you have any secrets in your work you will tell us?  No.
How do you hope history treats your work?  I hope the work ends up in museums where people can consider the ideas in the work.
Where can we find you and your work? marknewportartist.com, the Greg Kucera Gallery in Seattle, Washington, the Lemberg Gallery in Ferndale, Michigan, museums in New York, Detroit, and in exhibitions mostly in the US and abroad.
 —–
eMbroidery was created with the support and wisdom of the magnificent Bascom Hogue.

What is Craftivism? An interview with Sarah Corbett of the Craftivist Collective.

What is Craftivism? An interview with Sarah Corbett of the Craftivist Collective.:

Craft + Activism = Craftivist Collective

I’ve got some big news coming up soon that involves the Craftivist Collective. To help you understand a bit more about the Collective, I’m sharing the first part of a recent UK Craft Blog interview with its founder, Sarah Corbett.
Changing the world one stitch at a time.
What is craftivism? This is a question I was faced with a few months ago when I met Sarah Corbett, founder of the Craftivist Collective.
The simple answer is Craft + Activism = Craftivism.  I discovered the craftivist approach is one I’m actually very familiar with…  it’s the same as my approach to social media marketing.  The focus is on engagement and not pure numbers, or as your grandmother might have said, look after the pennies and the pounds will look after themselves.
I asked Sarah if she would be happy to answer a few questions about Craftivism and this interesting organisation. She responded with these intelligent and passionate answers. As fellow crafters (that’s you reading!), I’m hoping, that like me you will also be charmed and perhaps a little inspired by this fascinating approach to raising awareness of very serious local and global issues.

I’ve read the wiki entry on Craftivism, but can you give us the Sarah Corbett definition of Craftivism

For me it’s a few things. First of all the activism is always the priority and the craft is the tool to do it. It’s about provoking thought and discussion on issues in a deep, meaningful and long term way and a way for people to think personally about what they can do to be part of the change they wish to see in the world as well as how they can nurture and encourage others to make positive change.
For the maker its a method of activism that I call ‘slow activism‘. Traditional forms of activism tend to be quickly signing petitions, going on marches or being part of stunts. I burnt out as an activist because I was doing so much so fast and I felt like I was just a robot. Craftivism really helped me stop and think about what the issues mean to me and made me reflect deeply about who the injustice affected and how we can all be part of solving them.
Sarah attaching a Craftivist Collective mini banner to a railing

Designer Feature: Kate Kosek

Designer Feature: Kate Kosek:




Designer Kate Kosek from Brooklyn, NY. website

The Touch of Tai

The Touch of Tai:
 London-based designer Steven Tai 's S/S 13 collection, centred around bookish types enjoying all the pleasures of a library.  The layers refer to pages in a book as do the woven embossed texture, resembling papyrus.  The shredded crepe with embroidered fish embedded underneath the threads is a potently sweet and craft-based gesture from Tai.  Every rough edge, awkward silhouette and deceptive tears and gaps in the fabric have a geekish obssessive quality to it as you look up close and it all looks even more complicated than at first glance.  

Stai2

IMG_8208

IMG_8224

IMG_8220

Stai7 Stai10
IMG_8207

Stai12
IMG_8206



DOLCE & GABBANA 2013 S/S COLLECTION RUNWAY WITH VIDEO (WOMAN)

DOLCE & GABBANA 2013 S/S COLLECTION RUNWAY WITH VIDEO (WOMAN):