Showing posts with label illustration. Show all posts
Showing posts with label illustration. Show all posts

Monday, 4 March 2013

Helen Bullock illustrates exclusively for SHOWstudio

Helen Bullock illustrates exclusively for SHOWstudio:
This weekend, our fantastic illustrator Helen Bullock has been capturing Milan collections exclusively for SHOWstudio. Bullock’s linework has so far interpreted the Jil Sander, Dolce e Gabanna and Burberry Prorsum collections. Today 13 January 2013 key items from Trussardi 1911, Calvin Klein and Prada will be illustrated by Bullock.
Make sure to browse through our collections page or Tumblr page to see all of her naive and spontaneous artworks.

The Cutting (& Stitching) Edge – Anatomically Incorrect Creatures

The Cutting (& Stitching) Edge – Anatomically Incorrect Creatures:

Although reporting on the Plush world is generally the domain of the fantastic Love & A Sandwich, I thought I’d share the work of Anatomically Incorrect Creatures and their Creature Specialist, London-based Bree Yena.
Anatomically Incorrect Creatures - George the Giraffelephant
“Anatomically Incorrect Creatures are handmade faux taxidermy sculptures and plush wall art – specializing in unique and humorous hybrid creature home decor for all! Each creature is completely hand-stitched, designed from original patterns and created out of locally purchased acrylic and Eco Felt – felt that is made 100% from recycled plastic bottles. No animal products, such as wool felt, ever used. Anatomically Incorrect Creatures supports animal lovers, vegetable lovers, meat lovers, allergy sufferers and anyone with a sense of humor.
Anatomically Incorrect Creatures - Rex The Dapper Dinosuar
“I find faux taxidermy to be a unique and humorous mix of environmentally friendly home decor and odd cuteness.  Whether you are an animal rights supporter, craft connoisseur or just have a wicked sense of humor – there really is something for everyone to love with faux taxidermy!
Anatomically Incorrect Creatures - The Foxy Owl
“The creatures are hybrid combinations of at least two animals selected for their uniqueness, oddity and/or cuteness.  For example, Giraff-e-lephants and Foxy Owls!  There is also a truly vegan line of mounted vegetables. Quite a few of the creatures that exist now started out as custom orders and I get a lot of ideas from comments and suggestions through the shop’s Facebook page.
“I will make anything the customer’s heart desires.  The laws of science and nature need not apply – whatever you can come up with, I can try my best to recreate out of felt.”

Ever since I got my first piece of  plush taxidermy from Nicole Licht, I’ve been a fan of this idea. What better way to add grandeur to a room than with your own plush trophy?
Anatomically Incorrect Creatures - The Mustachied Deerabbit
AI Creatures takes gets extra kudos for their use of eco-felt and I just think they’re ace. Well-designed, witty and wonderful, you can commission your own piece by contacting the Creature Specialist directly. The hard part is deciding what to have!
Anatomically Incorrect Creatures - Grizzly Bear Butt
Thanks to Pink Ray Gun for the quotes!
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The Cutting & Stitching Edge is brought to you in association with PUSH: Stitchery, the must-have embroidered art book by Mr X Stitch !

Featured Designer: Marta Spendowska

Featured Designer: Marta Spendowska:

Happy Friday pattern lovers! Today I am featuring the wonderful work of Marta Spendowska. Marta is from Poland, but is now based in the ol’ USA where she works as an illustrator, surface pattern designer and web designer. “Today I think in repeats, watercolors and HTML. Pattern and motif creation happens a second after I close my eyes. Coding for me is like discovering the perfect shade of turquoise. It’s all the same joy.”
Marta has been successfully selling her illustration (mainly portrait and perfume illustration) artwork on FAB.com, she’s been licensed with Deny Designs and the new European venue YouArtMe. She hopes to work in fashion illustration more and more. To see more of Marta’s work please visit her website.
I hope that you had a wonderful week filled with the work that you love. We are busy over here gearing up for the Sellable Sketch Workshop, working on repeats with the fantastic designers who registered for the UGTR workshop and creating prints for a number of Summer & Fall ’14 collections. It is a whirlwind!
Have a great weekend!!!

The Cutting (& Stitching) Edge – Holly Levell

The Cutting (& Stitching) Edge – Holly Levell:

Holly Levell is a textile artist from the UK who specialises in soft sculpture.
Holly Levell - soft sculpture

“I am inspired by my daily surroundings and the unnoticed aspects of life and how as an artist I can change the status and meaning of the humble object using my personal textile craft technique. It’s the idea of taking something that is overlooked in life and catapulting it into the spotlight.
Holly Levell - soft sculpture
“My current work comes from exploring ideas for the objects that feature in our day to day lives. I began to focus on shopping and started stitching a flat bean can in my room, it made me think ‘I wonder if I can make this completely from stitched textiles?’ softening the idea and creating a soft, nostalgic object. Supermarket stitch had begun!
Holly Levell - soft sculpture
“Originally I had no idea how to go about making them so it was a bit of trial and error. All of the objects have been taken apart and re-sewn together at least 10 times until I get the ketchup bottle lid to look just right or the ring pull on a coke can to look as though you could actually pull on it.
Holly Levell - soft sculpture
“I never thought about it until I began this work but we all have sentimental memories and a certain fondness for the foods and products that surround us in our lives, a bottle of Heinz Tomato ketchup in the middle of our table at home has become as much a staple piece of furniture as the table and chairs we sit at.”
Holly Levell - soft sculpture

I love a good soft sculpture and Holly’s choice of subject matter brings a smile to my face. Akin to the work of Harriet Hammel, Holly takes ordinary objects and makes us reconsider them by producing them in soft format.
 Holly Levell - soft sculpture
Technically adept and well chosen, Holly’s work is great fun and a terrific example of the form. Find out more about Holly at her website.
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The Cutting & Stitching Edge is brought to you in association with PUSH: Stitchery, the must-have embroidered art book by Mr X Stitch !

The Cutting (& Stitching) Edge – Maxine Sutton

The Cutting (& Stitching) Edge – Maxine Sutton:

Maxine Sutton is a textile designer from Margate, England.
Maxine Sutton - Hey Cat - embroidered textile artwork
“If one were to imagine a workshop household, one would envision a situation where most, if not all things were made in a more imaginative and beautiful way than in quotidian life” - Mark Rosenthal
I love the idea of the workshop household described by Mark Rosenthal, and believe in the importance of our interaction with materials, texture, pattern, and the handmade.The handmade object creates layers of significance and forms a part of personal and family narratives, making links and connections through generations.
Maxine Sutton - Little Red Bird - embroidered textile artwork
“My work continues to explore the interplay between screen-printed and embroidered textures, colour, mark, drawn and stitched lines. Often playing with imagery and ideas springing from our relationship with familiar domestic objects, everyday pastimes, the meaning of ‘home’ and home-making activities. Abstract and semi-figurative forms combined with pattern and texture present an ambiguous narrative.
Maxine Sutton - Marjory - embroidered tea cosy
Using Irish machine, and hand embroidery I employ a combination of traditional techniques, such as appliqué  patchwork, needle-punch and screen print. Forms, are hand drawn, paper cut, found or photographic; layered and collaged with abstract and semi figurative appliquéd, needle-punched and printed imagery. Embroidered lines and densely embroidered areas create further layers of texture and interest.”
Maxine Sutton - Cuckoo - embroidered textile artwork
I like a good bit of mixed up textile work and Maxine’s work is a great example. Quirky and wistful, the combination of machine embroidery, appliqué and screen printing is very contemporary and quite charming.
Maxine Sutton - Sad Bird - embroidered textile artwork
Visit Maxine’s website to see more of her work, including paper collage work, and check out her shop for lovely home furnishings!
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The Cutting & Stitching Edge is brought to you in association with PUSH: Stitchery, the must-have embroidered art book by Mr X Stitch !

Friday, 11 January 2013

(title unknown)

(title unknown):
ANNA NIESTROJ via THE SHINY SQUIRREL via PATTERN BANK

Feature Designer: Laura Banchik

Feature Designer: Laura Banchik:


Hello everyone and happy new year!!!! Today’s featured designer is Laura Banchik, a graphic designer from Argentina who has recently entered the world of surface design. Laura starts her design process by drawing and painting by hand and then manipulating the design in Photoshop. I think this method, along with her unique color usage, gives her work the beautiful, organic texture and movement that you see above. Laura recently moved back to Buenos Aires after spending four years in Barcelona and is currently looking for a job, either freelance or permanent. To view more of Laura’s work please visit her website.

Friday, 16 November 2012

Interview: Tim Biskup: The musician and artist talks about Brainsled by Big Butter, a current Kickstarter to reissue the band's 1989 cassette as a double vinyl LP

Interview: Tim Biskup: The musician and artist talks about Brainsled by Big Butter, a current Kickstarter to reissue the band's 1989 cassette as a double vinyl LP: Interview: Tim Biskup


Known for his visually intense work and populist aesthetic, visual artist Tim Biskup grew up in Southern California and, adding music to his creative talents, started the band Big Butter with his brother, Mike. Together they explored their favorite music genres, experimented with sound and put on live stage...

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iPhone covers: Kirath Ghundoo

Surface designer Kirath Ghundoo has created a collection of iPhone covers.
This is a modern and alternative product to design for.

Patternity_ScribbleSketch.jpeg

Patternity_ScribbleSketch.jpeg:
SCRIBBLE SKETCH

Fusion Series #3281

Fusion Series #3281:

Hats off.

Hats off.:
As you rock in this chair it knits you a hat. Incredible.

Books | End Paper Inspiration

Books | End Paper Inspiration:
books persephone 2 Books | End Paper Inspiration
If you’re like me and love a good read, then you’ll find the selection of gems unearthed by Persephone Books a rare treat. Printing mostly “neglected fiction and non-fiction by women, for women, and about women,” this London publisher uses vintage patterns for the end papers matching the spirit and time period of each title. Treat yourself by subscribing to the book-a-month club or pick up a few titles to hand out as gifts since the holiday season is right around the corner.
– Jessie Whipple Vickery
books persephone 1 Books | End Paper Inspiration
vintage prints | Persephone Books

Tuesday, 9 October 2012

eMbroidery – Mark Newport

eMbroidery – Mark Newport:

Welcome to eMbroidery, a series of interviews with male embroiderers. This month, Mark Newport.
Mark Newport - Batman 712
Name:  Mark Newport
Location:  Keego Harbor, MI, United States (near Detroit, MI).

What does it mean to you? I use embroidery as a reference to traditional gender roles where many people think of embroidery and other textile work as something women do. So when I use it on a comic book image of a superhero it makes for a contradiction and raises questions about why we believe certain things are masculine or feminine. I also use it because embroidery like many textile processes is repetitive and time consuming work that allows me to think about what I am doing. So it helps me develop new work.



How do people respond to you as a male embroiderer? People generally comment more on how I make the work – sewing on paper than the actual process. With my knit work I get more reaction because I also knit when I travel, so people ask questions about it that suggest they are surprised to see a man knit.
Who inspires you? Other artists: Anne Wilson, Jane Lackey, Joan Livingstone, Louise Bourgeois, Tim Hawkinson, Outsider and Folk Art.
How or where did you learn you learn how to stitch or sew?  I learned some sewing and needlework from my Grandmother when I was a child. Some I learned in art school at the Kansas City Art Institute and most in graduate school at the School of the Art Institute of Chicago.
Mark Newport - Batman 619


Mark Newport - Spiderman 206 mask
Do formal concerns, such as perspective and art history, interest you? Formal concerns are somewhat important to me because the visual effect and presence of a piece helps to engage the viewer and get them to spend time with my work. Art history is important because it provides reference points for my work for other people to understand it.
What do your choice of images mean to you?  To me the combination of the embroidery and knitting with the superhero imagery raises questions about how define masculinity and the idea of protection.
Do you have any secrets in your work you will tell us?  No.
How do you hope history treats your work?  I hope the work ends up in museums where people can consider the ideas in the work.
Where can we find you and your work? marknewportartist.com, the Greg Kucera Gallery in Seattle, Washington, the Lemberg Gallery in Ferndale, Michigan, museums in New York, Detroit, and in exhibitions mostly in the US and abroad.
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eMbroidery was created with the support and wisdom of the magnificent Bascom Hogue.